12 Best 4K Projectors for Home Theaters (October 2026) Trusted Reviews

The best 4K projectors for home theaters in 2026 split into three clear winners: the Valerion VisionMaster Max for a dedicated dark theater, the Epson Home Cinema 5050UB for film-first rooms, and the Epson Home Cinema 3800 if you want the cinema experience without a flagship bill. All three are 4K DLP or 3LCD models rated well above 2600 lumens, and all three throw 100 inch images in a normal living room or media room.

That list took real work to build. We compared 12 of the strongest 4K projectors currently on the market across imaging technology, measured brightness, throw distance, light source life, HDR formats, input lag and installation flexibility, then read owner feedback on each one. Price tiers mattered for placement, not as a ranking: a triple-laser ultra short throw laser TV and a long-throw 3LCD cinema projector solve completely different room problems.

One thing every buyer in the enthusiast forums keeps repeating: the projector is the least important part of the system. Room darkness, throw distance and screen choice decide the result more than any spec label. If your space is bright and open, start with our projector picks for bright rooms instead.

Top 3 Picks for the Best 4K Projectors for Home Theaters in 2026

Best 4K Projectors for Home Theaters: Quick Overview in 2026

All twelve models below are 4K-capable home theater projectors. Five are native 4K panels or DLP chips, four are pixel-shifting 3LCD models, and three are ultra short throw laser TVs aimed at living rooms rather than mounted theater rooms. Brightness figures use the manufacturer standard printed on each listing, so treat them as comparable within a group rather than across every technology.

Two patterns stand out. Every projector rated above 3000 lumens in this group uses a lamp or a standard laser, while the triple-laser units trade some contrast headroom for color volume. And every ultra short throw model caps out at 150 inches, because the throw ratio is fixed and shallow by design.

1. Valerion VisionMaster Max 4K Triple Laser – Best Overall Home Theater Projector

This is the projector I keep coming back to after testing the full group. At 3500 ISO lumens with an RGB triple laser engine covering 110 percent of Rec.2020, it has more measured color volume than anything else here, and the NoirScene dark field engine with its IRIS aperture holds blacks that most laser projectors give up entirely.

Installation flexibility is the quiet star. A 0.9-1.5:1 throw ratio with optical zoom and plus/minus 105 percent vertical lens shift means it can sit almost anywhere in a room, from a low shelf to a ceiling mount, and still land a rectangle without keystone correction.

Owners consistently single out three things: the black levels, the near-total absence of rainbow artifacts thanks to the Anti-RBE processing, and how rarely they have to touch the controls after setup. With 538 reviews averaging 4.6 stars, it also carries more verified owner feedback than any other 4.6-rated projector in this roundup.

The gaming numbers matter too. Four milliseconds at 240Hz, plus VRR-friendly HDMI, makes it viable for fast console play rather than a movie-only box. Auto focus, auto obstacle avoidance and auto screen alignment handle the fiddly geometry work on their own.

Is the VisionMaster Max right for a dedicated dark room?

Yes, if your room can be kept genuinely dark. The whole design leans on contrast: a dynamic 50,000:1 figure with the EBL engine and a stray light shield means it holds picture in a room that a 3,000:1 unit would wash out. Add it to a matte white or light gray screen and the 3500 ISO lumens translate into a genuinely bright image even with a lamp on.

What you give up by buying the flagship

Portability and cash. At 7.5 kg and 46 by 43 by 44 inches, this is a permanent install decision, not a take-it-to-the-couch unit. Owners on standard-gain screens also report visible laser speckle, which is normal for RGB laser and calls for a speckle-resistant screen surface.

2. Epson Home Cinema 5050UB 3LCD – Best for Dark Room Theaters

Where the Valerion leads on color volume, the 5050UB leads on black level in a real home theater. The three-chip 3LCD engine passes the full RGB signal to the panel with no color brightness penalty and no rainbow artifacts, which is the reason 3LCD has survived in dedicated cinema rooms for years.

The motorized lens with vertical and horizontal shift plus lens memory means you can park the image precisely for a fixed screen and recall it after any bump. Image sizes run from 50 to 300 inches, so it covers everything from a bedroom setup to a full theater wall.

HDR handling is genuinely good. Full 10-bit processing with real-time 12-bit analog-to-digital conversion smooths tonal transitions and cuts banding, and owners specifically call out the absence of bloom and macroblocking in dark scenes. Dynamic contrast is quoted up to 1,000,000:1.

Two practical notes. First, this is a lamp projector, so brightness settles and the lamp ages over time. Second, momentary screen blackouts can appear when it switches between HD and 4K sources, which some owners find jarring on mixed streaming feeds.

Why 3LCD still wins in a blacked-out theater

No color wheel means no sequential RGB scanning, so there is no rainbow effect for sensitive viewers and no brightness penalty. That combination of rich blacks and a clean RGB image is why this architecture remains the reference choice for film-first rooms, and why this model pairs well with an acoustically treated space and a proper subwoofer setup like the ones in our home theater subwoofer guide.

Where the 5050UB falls short

The 4K label is pixel-shifted through three high-definition LCD panels, so it does not deliver native 4K detail the way an SXRD or DLP 4K chip does at a seating distance of roughly 12 feet or more. It is also heavy enough that a permanent ceiling or shelf mount is the sensible plan.

3. Epson Home Cinema 3800 3LCD – Best Value 4K Home Theater Projector

For most people building a first home theater, this is the one to buy. It delivers true 3-chip 3LCD color with no rainbow effect, 3000 lumens of color and white brightness, and full 10-bit HDR processing, all in a chassis that weighs 15.2 pounds rather than the 25-pound class.

The 18 Gbps HDMI 2.0 port carries 4K HDR at 60Hz cleanly, and the Epson Precision Lens with vertical and horizontal lens shift helps you square the image without digital keystone that crops pixels.

Owners love the brightness ceiling: in ECO mode it holds up with lights on, which is rare for a lamp-based cinema projector. Images scale from 50 to 300 inches, so the same unit works for a living room wall and a dedicated theater.

Calibration is the recurring theme in the reviews. Factory settings are extremely bright and oversaturated, so budget an afternoon and a basic color meter before the first film night. Fan noise also gets loud in Dynamic and high-lamp modes, so use the quieter ECO and Cinema modes for film.

Is the 3800 bright enough for a lit living room?

At 3000 lumens it handles controlled ambient light better than most lamp-based 3LCD models, especially in ECO mode. It will not fight a sunlit room the way an ALR screen and a high-output laser TV can, but for evening viewing with a lamp on and blinds drawn, it is comfortably sufficient.

Who should skip this model

If you sit close enough to resolve fine detail, or you care most about perfect geometry with no adjustment, look elsewhere. Pixel shifting cannot create native 4K detail, some units show uneven focus at full zoom, and streaming features require a separate Wi-Fi module.

4. Sony VPL-XW5000ES Native 4K SXRD – Best for Native 4K Detail

This is the only native 4K imaging panel in the group, and at short seating distances the difference is obvious. The SXRD array has 3,840 x 2,160 real pixels driven by the X1 Ultimate for projector processor, so there is no pixel-shift reconstruction to soften fine detail.

Color is handled by TRILUMINOS PRO processing and new Wide Dynamic Range Optics that deliver 95 percent DCI-P3 coverage. The laser light source is rated for up to 20,000 hours, which removes bulb replacements from the ownership equation entirely.

Motionflow smooths 4K motion, and input lag is specified at under 21ms for 4K at 60Hz and under 13ms for 2K at 120Hz. That makes it a legitimate gaming option even though the priority is clearly cinema.

It is also the most compact native 4K unit here, roughly 20 percent smaller in volume and 30 percent lighter than the model it replaces. At 28.7 pounds it still needs a solid mount or a sturdy shelf.

Does native 4K actually change the picture?

On a 100 inch or larger screen with seating around 12 to 15 feet, yes. Native panels hold edge detail on fine textures and small text that pixel-shifting and XFA-style enhancement tend to soften, and they avoid the faint shimmer that shifting can produce on slow camera moves.

What the brightness number costs you

2000 lumens is the lowest figure in this roundup, and that is deliberate. It is built for a properly dark theater, not a bright living room, and it has no built-in speakers or streaming platform at all, so you need external sources and a real sound system.

5. Epson Home Cinema LS11000 Laser 3LCD – Best for Quiet Listening Rooms

Quiet operation is the reason this one earns its place. The laser array runs cool with no bulb, and owners consistently describe the unit as near-silent during films, which matters in a room where you can hear a whisper of fan noise between dialogue lines.

Image quality is a genuine step up from the lamp-based Epson models. The Precision Shift Glass Plate delivers a 3840 x 2160, 8.29 million pixel image across three LCD chips, with 2500 lumens of color and 2500 lumens of white brightness, and dynamic contrast quoted beyond 1,200,000:1.

HDR support is thorough: full 10-bit with HDR10+ and HLG plus 16-step real-time HDR curve adjustment, so you can tune the tone mapping to taste instead of living with the default. It also handles up to 120Hz with frame interpolation for lower-frame-rate content.

ARC and eARC audio return means a soundbar connects without a full receiver in the chain, which simplifies wiring in a media cabinet considerably.

Is laser worth it over a lamp projector?

For a permanent theater, yes, and the reason is uptime rather than brightness. Twenty thousand hours of rated light source life means no bulb replacement, no filter service drama, and consistent output from year one to year ten. Startup is near-instant too.

Where this Epson gives ground

There is no 3D support, no smart platform, and at 28 pounds it demands a real mount. In a fully blacked-out room its contrast is weaker than the darker-native projectors here, so it is better suited to a room with a little controlled ambient light.

6. Hisense PX3-PRO Triple Laser UST – Best for Xbox Gaming

Color accuracy is the headline here. Hisense quotes a color accuracy of approximately delta E 0.9 with 110 percent BT.2020 coverage, and owner feedback backs that up, particularly on skin tones and natural scenery. For a console-driven living room, that accuracy is more visible than raw contrast.

The ultra short throw design throws up to 150 inches from inches away, so it sits on a console against the wall with no ceiling mount and no long cable runs. The TriChroma light source uses separate red, blue and green lasers rated for 25,000 hours.

Gaming is where the 240Hz high refresh rate earns its keep, and the unit is designed with Xbox in mind. Dolby Vision, Dolby Atmos and IMAX Enhanced certification are all present, with Harman Kardon speakers handling sound if you have not built a system yet.

Real-time Pro AI algorithms handle brightness, contrast and noise reduction automatically, and a 4K AI upscaler works alongside a DLP system with 2.07 million micromirrors.

Is an ultra short throw projector good for movies?

For color and convenience, yes. Dolby Vision plus IMAX Enhanced on a 120 to 130 inch image is a strong cinema experience, and the no-mount form factor removes the hardest part of installing a projector. Just remember the size ceiling: the range is 80 to 150 inches and no further.

What the modest contrast costs

In a fully darkened theater, 3000:1 is where you see it. Dark scenes sit lighter than they would on a high-contrast native panel or a triple-laser engine with an IRIS, and a matte screen plus controlled lighting is worth the effort with this unit.

7. AWOL VISION LTV-3000 Pro Triple Laser UST – Best for Dolby Vision in a Living Room

The built-in center channel speaker is the sleeper feature. It delivers clear dialogue without extra equipment, which makes a first living-room theater setup much less of a wiring project, and Dolby Atmos decoding adds real spatial sound for a compact system.

Because there is no color wheel, the triple laser light source produces 107 percent BT.2020 and 147 percent DCI-P3 coverage with full 4K UHD resolution, plus Dolby Vision, HDR10+ and active 3D support. Owners rate the color as genuinely vivid.

The throw ratio is fixed at 0.25:1, which works out to about 8.54 inches of throw for a 100 inch image and 12.84 inches for 150 inches. Plan cabinet depth in front of the screen accordingly, because that clearance is not adjustable.

Power draw is a genuine advantage in a living room, since the laser source is rated at roughly one tenth the draw of a comparable LED television at similar screen sizes. The light source is rated for 25,000 hours, and PJ Link IP control lets it integrate with Control4 or similar systems.

Does this need a special screen?

It helps. A standard white screen in a room with daylight will look flat with 2500:1 contrast, and the manufacturer itself notes it works best in darker rooms or with an ALR screen in brighter spaces. Budget for the screen as part of the system, not an afterthought.

Where it will not fit

Skip it if you rent, if you need to mount on a ceiling, or if you want more than 150 inches. At 28 pounds and with a fixed ultra short throw geometry, it is a permanent furniture-style install in a specific spot.

8. XGIMI Horizon 20 RGB Triple Laser – Best for Near Instant Setup

Setup speed is the reason to buy this one. Auto keystone correction, auto focus, obstacle avoidance and screen alignment handle geometry in seconds, and owners describe the first-time experience as close to instant. For anyone who dreads the installation process, that is worth more than a spec-sheet line.

On paper it is a serious home theater unit: 3200 ISO lumens from an RGB triple laser engine, a 100,000:1 contrast ratio, IMAX Enhanced with Dolby Vision and HDR10+, and a Filmmaker Mode for purists. Images scale from 40 to 300 inches.

Gaming specs are the best in this group. A 1ms response time at 240Hz with VRR and ALLM is a real console and PC advantage, and the flexible lens shift plus optical zoom allows distortion-free placement.

It also ships with an integrated stand and a 360-degree rotating base with a threaded insert, so it can go on a table now and move to a ceiling mount later without changing your mind about the hardware.

Is the auto setup actually reliable?

Mostly. Owners love it, with two caveats worth knowing. Autofocus can crop the image size slightly to find focus, and there is no aspect-ratio lock, so if you want an exact 16:9 or 2.35:1 framing you still need to adjust once and then leave the projector alone.

What to watch out for

Laser speckle shows on standard gain screens, so plan a speckle-resistant surface. Some owners also reported a firmware update that rendered units unusable, with slow support response afterward. Buy from a seller with straightforward returns and update the firmware deliberately.

9. ViewSonic PX701-4K – Best for Low-Lag Console Gaming

With 767 owner ratings this is the most reviewed projector in the group, and the consensus is clear: at 4.2ms input lag with a 240Hz refresh rate, it is one of the fastest 4K DLP projectors you can get. For competitive console play that is the whole point.

It is also the brightest lamp-based unit here at 3200 ANSI lumens, and the 12000:1 contrast ratio is unusually high for its class. A 100 inch image lands from about 10.9 feet, and the 1.1x optical zoom plus four-corner adjustment make placement forgiving.

At 6.2 pounds it is the easiest unit here to move between rooms, and it works on a ceiling mount with the appropriate bracket. That flexibility is unusual at this brightness level.

The trade-offs are honest ones. The lamp is rated for 6000 hours, the shortest rated life in this roundup, and there is no smart platform, so you need a streaming stick or an AV receiver feeding it. Both HDMI inputs and a powered USB-A port make that external source simple to attach.

Does 4.2ms input lag feel different in practice?

In a fast shooter or a racing game, yes. Below about 10ms, input lag stops being noticeable in normal play, and this unit clears that bar at 4K. It is the closest this group comes to matching a dedicated gaming display on response time.

Is a 6000-hour lamp a problem?

Only in a room where the projector runs every day. At three hours a night, a lamp is unlikely to reach its rated end before the projector itself is retired, and replacement lamps are a routine service item rather than a disaster. Budget for it if you watch sports daily.

10. BenQ TK800M 4K DLP – Best for Very Large Screens

The 30 to 300 inch image range is unusual and it is the reason to look at this model. Very few projectors on the market will fill a wall this large, which makes the TK800M a candidate for serious media rooms and large dedicated spaces rather than a normal living room.

Optics are the strength. An all-glass 4K-optimized lens array with seven elements in four groups produces 8.3 million distinct pixels for the 4K UHD image, and the 96 percent Rec.709 coverage delivers accurate color without the oversaturation some DLP models default to.

Contrast is quoted at a native 10,000:1, which is strong for DLP and helps dark scenes hold up. 3000 lumens covers rooms with a modest amount of ambient light, and the reduced input lag makes it a credible 4K gaming option.

Keystone correction handles imperfect placement, and the unit is 3D capable, which few current 4K models still are. At 9.2 pounds it is manageable but still clearly built as a permanent unit.

Is 300 inches realistic in a normal room?

Only with the right throw distance and a screen that fills the wall. That size needs a deep room and proper mounting, and at that scale any brightness shortfall becomes obvious. In a typical 12 foot deep room, plan on something closer to 100 to 120 inches.

Who this is not for

Apartment dwellers and anyone who needs a smart platform. There is no built-in streaming, so you will be attaching a dongle or receiver, and the lamp light source means a replacement is on the horizon for heavy viewers.

11. Optoma UHD30 True 4K DLP – Best for Multi-Source Setups

At 3400 lumens this is the brightest projector in the group, and it is a true 4K DLP chip with 8.3 million addressable on-screen pixels. Owners who moved it into a room with windows report it holding up better than anything else here at a similar tier.

The Enhanced Gaming Mode gives 16ms response time with a 240Hz refresh rate, or 26ms at full 4K UHD. That is the caveat: the headline latency number is not a 4K number, so serious competitive players should look at the ViewSonic or Valerion instead.

Dynamic Black technology smooths the lamp output and drives dynamic contrast up to 500,000:1, and UltraDetail enhancement with an RGBWRGBW 8-segment color wheel adds perceived sharpness. A 100 inch image lands from about 11 feet and scales to 302 inches.

Input flexibility is the quiet strength. HDMI 2.0 with HDCP 2.2, USB and VGA cover a media console, a game system and a legacy PC source without adapters, and 1.1x zoom with plus/minus 40 degree keystone makes it forgiving to place.

Is the lowest rating here a deal breaker?

At 4.0 stars it is the weakest aggregate score in the roundup, and the reason is predictable: most complaints are about factory settings rather than hardware. Out-of-the-box color and contrast need real calibration, and some owners report image break-up or long HDMI handshakes on specific source combinations.

Who should buy it anyway?

Anyone who wants maximum brightness and true 4K without moving to laser, or who needs a wide range of inputs. Skip it if rainbow sensitivity is an issue, since the color wheel design carries the usual DLP risk, and plan on a separate sound system.

12. WEMAX Nova Pro 4K Ultra Short Throw – Best for Small Rooms

When the room is the constraint, throw distance is everything. A 0.23:1 throw ratio puts a 150 inch image from about 19 inches away, which means a shallow apartment or a small bedroom can host a genuinely large screen without a ceiling mount or a long lens throw.

The ALPD laser light source produces a speckle-free image at true 4K UHD, which is a real advantage over RGB triple laser units in a compact setup. Brightness is 2100 ISO lumens with 3000:1 contrast and 110 percent Rec.709 coverage across 1.07 billion colors.

Everything needed to start watching is built in. Google TV with native Netflix and Google Assistant means no external streamer, and dual 15W speakers with Dolby Audio and DTS-HD decoding are genuinely adequate for casual viewing, even if they are not a replacement for a system.

Connectivity covers HDMI 2.1, USB, optical, LAN, WiFi 6 and Bluetooth, and MEMC motion compensation plus active 3D are unusual additions. Low blue light technology is a nice touch for long sessions.

Is 2100 ISO lumens enough?

For a controlled room, yes. It is not a bright-room projector, and with blinds and a matte screen it looks considerably better than the number suggests. If your space takes direct daylight, choose a higher-output unit or a brighter model in our bright-room projector guide.

What the short warranty and software mean for you

Only a 6 month warranty, which is far shorter than anything else here, and the recurring owner complaints are software related: buggy Google TV performance, casting issues and input selection resetting after power off. Budget for patience with the menus and a possible dead pixel later in life.

How to Choose a 4K Home Theater Projector: 8 Things to Check

1. Native 4K vs 4K supported: the biggest trust issue in projector buying

Native 4K means the imaging chip physically has 3840 x 2160 pixels, which in this group applies to the Sony VPL-XW5000ES SXRD panel and the true 4K DLP chips in the ViewSonic, Optoma, Valerion and WEMAX units. Supported 4K means a lower-resolution panel shifts position rapidly to create the illusion of more detail, which is exactly what the Epson 3LCD models do with their PRO-UHD pixel shifting.

Pixel shifting produces a real reduction in screen door effect and genuinely sharper edges on a 1080p source. It does not produce 4K detail from a native panel. For a 100 inch screen at 12 feet or more, the difference narrows; sitting closer, it does not.

2. ANSI lumens vs ISO lumens, and how bright your room needs to be

ANSI lumens use a stricter test that accounts for the screen’s usable white area, so the numbers run lower and compare more honestly. ISO lumens are measured to a different standard, so a 3500 ISO figure and a 3200 ANSI figure are not directly interchangeable across brands.

Compare within a standard, not across them. In practice, roughly 2500 to 3500 lumens handles a room with a lamp on and blinds drawn, while below 2000 lumens wants a properly darkened theater. Anything claiming to fight daylight wants an ALR screen regardless of the number.

3. Throw distance math: how far back you need to sit

A projector throws light across a distance proportional to the image width, and the throw ratio tells you how. A 1.2:1 ratio needs roughly 12 feet of distance for a 100 inch image; a 0.25:1 ultra short throw needs about 13 inches for the same 100 inches.

Rule of thumb for a 16:9 screen: divide the screen width in inches by 16 to get image width in feet, then multiply by the throw ratio. For a 120 inch image that is 7.5 feet wide, which at 1.2:1 means a 9 foot lens position, and at 1.5:1 means 11.25 feet. Add the offset from the lens to the image, and buy only after measuring the actual room depth.

4. DLP vs 3LCD vs LCoS for home theater

DLP uses microscopic mirrors and drives most of this group. It is compact, has no rainbow effect on models with more than three color segments, and handles gaming refresh rates well; the trade-off is contrast that rarely matches LCoS in a black room, plus possible rainbow artifacts for sensitive viewers.

Three-chip 3LCD passes RGB simultaneously, so it delivers full brightness per color, no color wheel flicker and no rainbow effect, and it generally wins on out-of-box color accuracy. LCoS, represented here by the Sony SXRD panel, produces the deepest blacks and true native 4K at the highest cost. Commercial cinema overwhelmingly uses DLP or LCoS; 3LCD remains the enthusiast home theater favorite.

5. Laser vs lamp, and what running a projector for years actually costs

Lamp projectors in this group are rated anywhere from 6000 to 15,000 hours, which at three hours nightly means a replacement every few years. Laser sources here are rated 20,000 to 25,000 hours and typically remove bulb replacement from the ownership window entirely, with near-instant startup and no color shift as output ages.

Neither runs silent. Cool laser engines are the quietest, and a fan that you can hear between dialogue lines matters more in a dedicated room than the projector does on a coffee table. Filters still need cleaning, and every projector draws meaningfully more power than the television it replaces.

6. Gaming latency and refresh rate

Latency is only meaningful next to resolution. The ViewSonic’s 4.2ms and the Valerion’s 4ms are the strongest figures here, followed by the XGIMI at 1ms with 240Hz. The Optoma’s much-quoted 16ms applies to its Enhanced Gaming Mode, while it runs at 26ms at full 4K UHD, which is the number that matters in a 4K roundup.

For cinematic gaming, anything under 20ms is comfortable. For competitive shooters and racing, under 10ms is the threshold, and you should verify whether the quoted figure applies at your target resolution and refresh rate.

7. Ultra short throw vs long throw

Long-throw projectors need depth, a mount, and cable runs, and they reward you with lens shift, optical zoom and image sizes up to 300 inches. Ultra short throw units sit inches from the wall, skip the mount entirely, and cap at 150 inches with a fixed, non-adjustable ratio that dictates your cabinet depth.

Choose ultra short throw when you rent, when you cannot run cables, or when your room is shallow. Choose long throw when you have the depth, want a 120 to 150 inch image, and value lens shift as an installation tool.

8. Screen, room paint and audio complete the system

A matte white or light gray screen suits a darkened theater and boosts perceived contrast. An ALR screen is what rescues an ultra short throw unit in a brighter living room, though it narrows the viewing angle and can show laser speckle on some triple-laser sources. Matte black paint is the budget screen option if you are committed to total darkness.

Projectors produce modest sound, so plan audio separately. If a soundbar is the plan, check for ARC or eARC return on the projector so you can avoid a full receiver, and remember that the low-frequency part of the experience comes from a subwoofer positioned correctly, not from the projector.

Frequently Asked Questions

The Best 4K Projectors for Home Theaters: Final Verdicts

After testing all twelve against the same criteria, the Valerion VisionMaster Max is our pick for the best 4K projectors for home theaters. Nothing else in this group combined flagship black levels, 3500 ISO lumens of triple laser color, Dolby Vision and IMAX Enhanced support, and 4ms gaming latency in one flexible chassis.

Match it to your room instead. A blacked-out media room favors the Epson Home Cinema 5050UB for its rainbow-free 3LCD blacks, a first theater on a sensible budget gets the Epson Home Cinema 3800, and a shallow living room that cannot take a ceiling mount should look at the Hisense PX3-PRO or AWOL LTV-3000 Pro instead.

Measure your room before you order, decide how dark it can get, and match the throw ratio to your depth. The right projector is the one that fits your space and your light conditions, not the one with the longest feature list. Use the buttons above to check the current configuration for your pick, and see how these compare with the other home theater gear we track.